actor: Frances Conroy / Drama / countries: Canada, USA / creators: Todd Phillips / description: Joker is a movie starring Joaquin Phoenix, Robert De Niro, and Zazie Beetz. In Gotham City, mentally troubled comedian Arthur Fleck is disregarded and mistreated by society. He then embarks on a downward spiral of revolution and / Directed by: Todd Phillips

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Top Rated Movies #50 | Won 2 Oscars. Another 92 wins & 198 nominations. See more awards » Learn more More Like This Action Adventure Drama 1 3 4 5 6 7 8 9 10 8. 4 / 10 X After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos' actions and restore balance to the universe. Directors: Anthony Russo, Joe Russo Stars: Robert Downey Jr., Chris Evans, Mark Ruffalo Comedy Thriller 8. 6 / 10 Greed and class discrimination threaten the newly formed symbiotic relationship between the wealthy Park family and the destitute Kim clan. Director: Bong Joon Ho Kang-ho Song, Sun-kyun Lee, Yeo-jeong Jo 7. 7 / 10 A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles. Quentin Tarantino Leonardo DiCaprio, Brad Pitt, Margot Robbie 9. 3 / 10 Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency. Frank Darabont Tim Robbins, Morgan Freeman, Bob Gunton Sci-Fi 8. 8 / 10 A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a C. E. O. Christopher Nolan Joseph Gordon-Levitt, Ellen Page War 8. 3 / 10 April 6th, 1917. As a regiment assembles to wage war deep in enemy territory, two soldiers are assigned to race against time and deliver a message that will stop 1, 600 men from walking straight into a deadly trap. Sam Mendes Dean-Charles Chapman, George MacKay, Daniel Mays A team of explorers travel through a wormhole in space in an attempt to ensure humanity's survival. Matthew McConaughey, Anne Hathaway, Jessica Chastain Crime 9 / 10 When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, Batman must accept one of the greatest psychological and physical tests of his ability to fight injustice. Christian Bale, Heath Ledger, Aaron Eckhart 9. 2 / 10 The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son. Francis Ford Coppola Marlon Brando, Al Pacino, James Caan Romance The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart. Robert Zemeckis Tom Hanks, Robin Wright, Gary Sinise An insomniac office worker and a devil-may-care soapmaker form an underground fight club that evolves into something much, much more. David Fincher Edward Norton, Meat Loaf Biography 7. 9 / 10 An aging hitman recalls his time with the mob and the intersecting events with his friend, Jimmy Hoffa, through the 1950-70s. Martin Scorsese Robert De Niro, Joe Pesci Edit Storyline Joker centers around an origin of the iconic arch nemesis and is an original, standalone story not seen before on the big screen. Todd Phillips' exploration of Arthur Fleck (Joaquin Phoenix), a man disregarded by society is not only a gritty character study, but also a broader cautionary tale. Written by Warner Bros. Plot Summary Plot Synopsis Taglines: Put on a happy face. Motion Picture Rating ( MPAA) Rated R for strong bloody violence, disturbing behavior, language and brief sexual images See all certifications » Did You Know? Trivia While being honored for his acting career and for this film at a film ceremony, Joaquin Phoenix stated in his speech that he owes his career to his late brother and fellow actor, River Phoenix. He stated that his brother came home one day from work with a copy of the film, Raging Bull (1980), which starred Robert De Niro, who will eventually become his future co-star in this film. Joaquin goes on to state that he was in his teens at the time and he had quit acting. River had him watch the film that evening and the next day. He stated that River encouraged him to not give up on acting. See more » Goofs In the Children's Hospital, there is a medical cart that is color coded behind Arthur. This color coding is aligned with a Broselow Tape which is used in pediatric emergencies. The tape, which was first produced in 1985 for mass use, is placed next to a pediatric patient and the size of the patient from head to toe is in a weight based colored box. This box has written information about medication dosages and equipment sizes. The cart is colored to match this tape. See more » Quotes [ first lines] News Anchor: [ on radio] The news never ends. This is 1080 GCR. You get all the news you need, all day long. Good morning. It's 42 degrees at 10:30 on this Thursday, October 15th. I'm Stan L. Brooks, and here's what's happening. See more » Crazy Credits The Warner Brothers logo is the Warner Communications logo used in the 1970s and early 1980s, in fitting with this film's 1981 setting. See more » Soundtracks Send In The Clowns Written by Stephen Sondheim Performed by Frank Sinatra Courtesy of Frank Sinatra Enterprises Under license from Universal Music Enterprises See more » Frequently Asked Questions See more » Details Release Date: 4 October 2019 (USA) Box Office Budget: $55, 000, 000 (estimated) Opening Weekend USA: $96, 202, 337, 6 October 2019 Cumulative Worldwide Gross: $1, 074, 251, 311 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

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Joker suicide squad. Joker final. Joker box office. Joker prank. If You liked our service and the quality of the movies You can tell your friends about it. Critics Consensus Joker gives its infamous central character a chillingly plausible origin story that serves as a brilliant showcase for its star -- and a dark evolution for comics-inspired cinema. 68% TOMATOMETER Total Count: 552 88% Audience Score Verified Ratings: 66, 290 Joker Ratings & Reviews Explanation Joker Videos Photos Movie Info "Joker" centers around the iconic arch nemesis and is an original, standalone fictional story not seen before on the big screen. Phillips' exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham's fracturedsociety. A clown-for-hire by day, he aspires to be a stand-up comic at finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty, Arthur makes one bad decision that brings about a chain reaction of escalating events in this gritty character study. Rating: R (for strong bloody violence, disturbing behavior, language and brief sexual images) Genre: Action & Adventure, Drama, Mystery & Suspense Directed By: Written By: In Theaters: Oct 4, 2019 wide On Disc/Streaming: Dec 17, 2019 Runtime: 122 minutes Studio: Warner Bros. Pictures Cast News & Interviews for Joker Critic Reviews for Joker Audience Reviews for Joker Joker Quotes Movie & TV guides.

Joker final scene. Joker dance scene. Joker gamer. Joker film. Joker movie in telugu. Joker murray show. Joker magic trick. Joker kino praha. Joker tattoo. Joker rock and roll. Joker vs pennywise reaction. Looks like you are using an unsupported browser. To get the most out of this experience please upgrade to the latest version of Internet Explorer. Joker and harley quinn. Joker death of the family. Jokers laugh. Joker dark knight best scenes. Todd Phillips’ standalone supervillain origin story Joker is arriving in theaters amid so much controversy and concern about the potential for copycat violence that the debate has largely overwhelmed the film itself. It’s been fascinating to watch the discussion around the movie shift from “Do we really need another Joker story so soon after Suicide Squad? ” to “Is Joker full of dangerous ideas that will spur its worst fans to murder? ” The initial worries around Joker assumed the movie would be unnecessary, its impact negligible. The current questions ascribe it with too much importance, as if it might incite full-blown anarchy just by existing. As usual in a case where people leap to extremes, the truth is somewhere in the middle. Joker may make some people who feel marginalized feel more seen and more powerful, and they may act out in response. There are some ugly, self-serving messages in the movie, which is incongruously bent on creating sympathy for Batman’s worst enemy and one of DC Comics’ most notoriously callous mass murderers and atrocity architects. But love it or hate it, the film does spin up a tempting fantasy of persecution and relief, of embracing nihilism as a means of complete escape from a terrible world. It’s a self-pitying fantasy, certainly. Phillips and co-writer Scott Silver follow in the footsteps of Joel Schumacher’s 1993 drama Falling Down in portraying the world as a cartoonishly dark and uncaring place, an almost comically vile carnival where the protagonist can’t find a hint of comfort or relief. In a thoroughly immersed performance that’s being seen as a guaranteed awards-season attention magnet, Joaquin Phoenix plays Arthur Fleck, a part-time rent-a-clown working for a seedy talent agency full of exaggerated grotesques. Arthur is mentally ill and coping via meds and court-ordered therapy, which don’t offer comfort or represent caring. He’s devoted to his sick mother Penny (Frances Conroy), who’s encouraged him to see himself as a joyous light in the world, bringing laughter to the people. The problem is that he isn’t particularly funny. He’s painfully awkward, the kind of twitchy, social incompetence people shy away from in public because his erratic behavior feels like it could turn dangerous — or at least uncomfortable for them. It’s easy for viewers to empathize with his desire to be loved, without necessarily loving him. When he says he feels invisible, it’s clear why: he’s the kind of person people look away from on the street, out of apathy or active discomfort. Photo: Niko Tavernise / Warner Bros. That tension between sympathy and revulsion is one of the most honest things about Joker, which mostly goes out of its way to make the world awful. While working as a sign-twirler, Arthur is randomly beaten by a handful of kids, who steal his sign and then break it over his head. His boss not only doesn’t believe his story, he demands Arthur pay for the missing sign. The dramatic ironies and injustices compound throughout the film, until it’s clear that Arthur isn’t paranoid, the world really is out to get him. And then he takes violent, irrevocable action. For much of its runtime, Joker is a consciously ugly film, visually and emotionally. Arthur starts with close to nothing, and loses it all incrementally, in ways designed to hurt empathetic viewers. Phillips and cinematographer Lawrence Sher (who also DP’d for all three of Phillips’ Hangover movies) give the film a sickeningly grungy, underlit, David Fincher-esque look, especially in Arthur’s squalid home. Everything about the storytelling — the ominous, booming score; the gritty darkness; the invasive sound design — is designed to be oppressive, and to push the audience toward Arthur’s point of view as the primary victim of all the oppression. It’s hypnotic just how horrifying Arthur’s existence is, just as Phoenix’s performance is hypnotic as he spirals from fragile hope into increasingly outsized and confident acts of destruction. And then he escapes it all, by learning not to care — not about how or whether other people see him, not about whether he hurts or frightens or kills them, not about whether his final-act manifesto makes any sort of coherent sense. The important part of Arthur’s story — and the cause for so much of the concern around Joker — is that when he embraces his most nihilistic and destructive impulses, he suddenly earns the praise and attention he’s been lacking. That may not fully motivate him, but it’s meant as a message for the segment of the audience that feels closest to Arthur, those who feel most unseen and unloved: plenty of people agree with you that the world is unfair and ugly, and if you did something about it, they’d back your play. Like Falling Down — and Martin Scorsese’s Taxi Driver, which Phillips openly emulates and references — Joker suggests that when the leading man loses his mind, it’s an understandable, even natural reaction to an equally mad world. Viewers who aren’t already inclined to see humanity as a seething cesspit may not resonate with that level of cynicism. But to viewers who feel as abused and overlooked as Arthur Fleck, or even who harbor smaller, more rational resentments about society, Joker is a deliberate and fine-tuned provocation and promise: you aren’t alone, the people you hate really are awful, and it would be okay to act against them in any way you want. Phillips has made it clear that he doesn’t believe Joker is anything as small and dismissible as a mere comic-book movie. But while his film is grimmer and more harrowing than anything in the Marvel Cinematic Universe, it’s offering up a fantasy just as clearly as any superhero wish-fulfillment power trip: the fantasy of being a hero to some, of going from powerlessness to power, of being feared and beloved at the same time. Phillips delivers that message in a self-congratulatory way, largely by setting the film in a world where Arthur has no choice but violence, and no escape but madness. He’s portrayed as a kind of dark truth-teller because he’s learned that the world is a joke and nothing matters. That’s a fairly adolescent outlook, which Phillips embraces in the same persecution-complex spirit that recently led him to complain that he had to make Joker because the world is now too sensitive and woke for his previous brand of destructive-bro comedy. But Joker would probably be raising much less social concern if it wasn’t such a technically compelling movie, if its final moments weren’t so outsized and joyous and purposefully insane. Because Joker does play — not just to its most put-upon, angry, repressed viewers — but to the entire audience’s darkest hearts. It shows someone suffering when he lets society have its way with him, and freed when he has his way with society. It shows him weeping alone when he plays by the rules, and dancing wildly in public when he decides to break those rules. The story hurts and harms him, but Phillips suggests in the end that everything he went through was necessary to bring him the power and recognition he deserves. It’s a tempting fantasy, crafted with utter conviction. Many critics and early viewers have responded to Joker with loathing, because that fantasy is so selfish and solipsistic. By dismissing the world as imbalanced at best, outright malicious at worst, Phillips is enabling his viewers’ worst and most destructive impulses. “I just don’t want to feel so bad anymore, ” Arthur says plaintively at one point. He’s a relatable kind of villain, harmless and sad — not an Everyman, but an audience avatar for the downtrodden. And then he models a way to not be harmless anymore. That doesn’t necessarily make Joker a call to action, or an invitation to real-life violence. But it does represent a horrifying form of invitation — not just a call to sympathize with the devil, but a full-blown justification for the hell he creates.

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